![]() ![]() I have relied on it for 50+ videos and it hasn't failed me yet, (expect in super dark lighting conditions) The 5D4 with face tracking has been a gem. Second, when it comes to the autofocus, when doing tracking, i find the EOS R to me more "active" trying to search rather than stay tracking on a moving subject, and since the af is so fast, it creates a less than desirable look to the final product, but i may need to tinker with the settings more. Yes, they are large file sizes, but it works with my workflow, i don't vlog or anything like that. In fact, I'm so damn impressed with it every time i use it. Everyone please ignore all the lies surrounding the MJPEG codec. In my experience, if i were strictly recording internally i would choose my 5D4 everytime. If you were buying today, which would you prefer? Leave your thoughts in the comments below. ![]() Whichever you choose, it's worth noticing that now is a great time to buy, with seasonal discounts knocking $500 off the R, and $600 off the Mark IV. The 4K crop would feel one flaw rather than part of a list of potentially decisive shortcomings. With Nikon making the same compromise and having the Sony a7 III as the most obvious competitor, it seems like it would have been worth the extra space and cost. While I hate bringing up this rather tired discussion, in watching this video a year after the release of the EOS R, it strikes me as even more of a mystery as to why Canon chose not to include dual slots. Of course, there are a number of disadvantages, such as the single card slot, but whether that offsets other aspects such as the difference in price and the selection of lenses makes it a tricky choice. Parker Walbeck and his team of videographers give a comprehensive comparison of the EOS and the 5D Mark IV, creating a compelling list of reasons why the R is arguably the better option, especially if you’re a videographer. ![]()
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